“The Daguerreotype… has fixed the most fleeting of our illusions, that which the apostle and the philosopher and the poet have alike used as the type of instability and unreality. The photograph has completed the triumph, by making a sheet of paper reflect images like a mirror and hold them as a picture… [it is the] invention of the mirror with a memory…
“The time will come when a man who wishes to see any object, natural or artificial, will go to the Imperial, National, or City Stereographic Library and call for its skin or form, as he would for a book at any common library… we must have special stereographic collections, just as we have professional and other special libraries. And as a means of facilitating the formation of public and private stereographic collections, there must be arranged a comprehensive system of exchanges, so that there may grow up something like a universal currency of these bank-notes, or promises to pay in solid substance, which the sun has engraved for the great Bank of Nature.
“Let our readers fill out a blank check on the future as they like,—we give our indorsement to their imaginations beforehand. We are looking into stereoscopes as pretty toys, and wondering over the photograph as a charming novelty; but before another generation has passed away, it will be recognized that a new epoch in the history of human progress dates from the time when He who
never but in uncreated light
Dwelt from eternity—
took a pencil of fire from the hand of the ‘angel standing in the sun,’ and placed it in the hands of a mortal.”
–Oliver Wendell Holmes, “The Stereoscope and the Stereograph,” The Atlantic Monthly, June 1859